Finding titles for your fiction is hard, right?
I mean, finding crap titles isn’t hard. I have a huge long list of crap titles I once considered, and not all of them are jokes.
But finding the perfect one for my work is another matter entirely.
A.G. Pasquella's "The Strange Saga of Why Not A Spider Monkey Jesus?" where Pasquella illustrates, literally, the difficulties of finding the perfect title for his book. (Click on the pic to find out more about the talking chimpanzee with televangelist aspirations. You know you want to.)
Teresa Coltrin discusses the process of creating the perfect title. It’s a great post that links to the latest blog entries by writers and agents alike about what goes into a great title, and how you can find yours.
Before I clicked through all of the links, however, I tried to figure out why my titles can sometimes be downright ridiculous. After all, avoiding the downright ridiculous has to be one of the first steps towards finding the perfect title.
For me, a bad title occurs when I’m desperate to slap a name on my current WIP. I used to not even be able to contemplate a good title; I would just name my pieces “The Southern One,” or “The Moroccan One With The Whores.” It’s okay though. They were working titles that nobody had to ever see aside from close friends and my crit group.
While I am no expert in the good title, most of my best have come once I’ve spent a lot of time really getting to know my WIP. And I mean getting to know the work itself, and not what I thought the work was going to be when I started writing it. There’s a big difference there, and the two are never ever the same. Bad titles come from my wanting to name the works while I’m still thinking about how I want them to be, and the best titles come from naming the works once I’ve figured out (and accepted) how they turned out.
So I guess the moral is to trust yourself. I’ve found many times that my crit group and editors enjoy a piece much more the way it turns out in the end rather than the way I had planned for it to go. It’s more fulfilling for me when I allow my subconscious to take over and for my writing to deviate from the plan. Usually, as long as I can let go of what I wanted it to be and accept it as is, the result is a stronger piece. And with a stronger piece comes a stronger title.
And once I had several stronger titles, I went back to the links on Teresa’s page and used the tips she collated to really help them shine. In particular, I found Rachelle Gardner’s how-to a lifesaver.
What’s your relationship with your titles?